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Colour Management Information fromGraphic Quality Consultancy |
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| Index Home (Introduction to our colour services) Colour Management Theory Colour Management Introduction Rendering Intents CIE Lab & LCH Colour Spaces ICC Profiling Information Input (scanner) profiles Output (press & inkjet) Profiles Colour Monitor Profiles Printing Specifications (Total Area Coverage, UCR, GCR, etc.) Crosfield & Fuji Scanners & ColourKit Technical Information Crosfield & Fuji Scanner Information (Scanner Colour Management) Fuji ColourKit Colour Management Links to Colour Management & Other Sites Links to Colour Management sites Links to Scanner sites (Links to Scanner sales, spares & engineering companies) Links to Apple Mac sites Site Map Contact Us |
Introduction to Colour Spaces - CIE Lab & LCHA basic introduction to two related colour spaces which are becoming increasingly important in the world of colour reproduction. These are among the tristimulus (three-dimensional) colour spaces developed by the C.I.E. What is the CIE? The CIE LCH Colour Space or Colour Model. This is possibly a little
easier to
comprehend than the Lab
colour space, with which it shares several
features. It is more correctly known as L*C*H*.
The L* axis represents Lightness. This is vertical; from 0 which has no lightness (i.e. absolute black) at the bottom; through 50 in the middle, to 100 which is maximum lightness (i.e. absolute white) at the top. The C* axis represents Chroma or "saturation". This ranges from 0 at the centre of the circle, which is completely unsaturated (i.e. a neutral grey, black or white) to 100 at the edge of the circle for maximum Chroma or saturation. If we take a horizontal slice through the centre, we see a coloured circle. Around the edge of the circle we see every possible saturated colour, or "Hue". This circular axis is known as H° for Hue. The units are in the form of degrees°, ranging from 0° (red) through 90° (yellow), 180° (green), 270° (blue) back to 0°. The LCH colour model is very useful for retouching images in a colour managed workflow, using very high end editing or scanning applications such as Fuji ColourKit. LCH is device-independent. A similar colour model is HSB or HSL for Hue, Saturation and Brightness (Lightness)which can be used in Adobe PhotoShop and other software. Technically this is "device-dependent", however it is particularly useful for editing RGB images. For example to edit a green: Adjust the Hue angle by increasing it to make it "bluish" or by reducing it to make it "yellowish"; Increase the Saturation (Chroma) to make it "cleaner"; increase the Brightness or Lightness to make it lighter. Go on give it a try! The CIE Lab Colour Space or Colour Model.
CIE Lab is extensively used in many industries. It's uses include providing exact colour specifications for paint (including automotive), dyes (including textiles, plastics, etc.), printing ink and paper. It is becoming of increasing importance in specifying printing standards such as in ISO-12647, where it is often used instead of densitometry. For example "Paper Type 1" (115gsm gloss coated white, woodfree) has "Paper Shade" described as L* 95, a* 0, b* 0. "Paper Type 5" (115gsm uncoated yellowish offset) is described as L* 90, a* 0, b* 9. If you compare the different Lab values for Type 1 & 5 you will understand the descriptions. Lab measurements can be used to control printing, typically by monitoring a 3-colour neutral grey mid-tone patch. In ICC Colour Management CIE Lab is often used as the Profile Connection Space (PCS) where it provides a "link" between two colour profiles, such as Input RGB (scanner or camera) and Output (press or inkjet CMYK or RGB). All ICC profiles contain a PCS. In an input profile the tables will convert the scanner's or camera's RGB space to the PCS (Lab). An output profile will convert the PCS (Lab) to the digital printer's or printing press's colour space (CMYK). The other PCS colour space is CIE XYZ, but that is beyond the scope of this article; maybe later! |